All posts by bpm_info

Lično prisustvo – izložba fotografija Szilvia Mucsy

Želimo da vas obavestimo da je izložba (27. aprila 2018. godine u 19h) “Lično prisustvo” u TransformArt galeriji otkazana od strane autora Szilvia Mucsy, zbog okolnosti koje su izvan kontrole festivala “Belgrade Photo Month” i galerije.

Ovaj narativ je o ličnom prisustvu i nedostatku prisustva. Stvarnost i razmišljanja, privatni dnevnici i lični snimci, da zadrže trenutak kroz različita savremena pitanja: urbane krajolike, lične fotografije, kulturne i društvene teme… Privatni dokumentarni prikaz različitih domova, bezličnih hotelskih soba, privremenih smeštaja na različitim lokacijama širom Evrope, kao unutrašnja opservacija po imenu DOM, i vizualni dnevnik spoljne stvarnosti: krajolici i svakodnevne scene kao refleksije doživljenog trenutka. Opservacija, odnos između stvarnosti i unutrašnjeg sveta.

Szilvia Mucsy
Prevod Mirjana Kosic

Personal Presence – photography exhibition by Szilvia Mucsy

Please note that the April 27th, at 19h, exhibition in TransformArt gallery featuring Szilvia Mucsy photography has been cancelled due to circumstances unrelated to the festival “Belgrade Photo Month” and the gallery.

This narrative is about the personal presence and the he lack of the presence. Reality and reflections, private diary and personal snapshots to preserve the moment by various of contemporary issue: Urban landscapes, private photography, cultural and social subjects…
A private documentary about different homes, impersonal hotel rooms, temporary accommodation in different European locations, as an inner observing, called HOME, and a visual diary of the outsite reality: the landscapes and everyday scenes as reflections into the experienced moment. Observation, the relation between reality and the inner world.

Szilvia Mucsy

Talas plime – izložba fotografija Sonje Žugić

Večeras 26. aprila 2018. godine u 19h, otvaranje izložbe fotografija Sonje Žugić, pod nazivom “Talas plime”, Photo Point, Kraljevića Marka 21

Vrh plimskog talasa izazvan gravitacionim silama.

Plima označava variranje u nivou mora uzrokovano gravitacionim privlačenjem sunca i meseca. Mesec pokušava da privuče što bliže sve na Zemlji, ali Zemlja se opire i uspeva da zadrži gotovo sve, osim vode – vode koja nas okružuje i vode u nama. Svakog dana smenjuju se dve plime i dve oseke. Plima se poklapa sa tenutkom kada mesec dostiže najvisu tačku na nebu – mesečev zenit.

Serija fotografija nastala je u Maroku, na obali Atlantika kao rezultat posmatranja Okeana – njegovog disanja, isijavanja, prelivanja, subjektivno nijansiranih osećanjima autora.

Žugić Sonja, rođena je 1977. godine u Beogradu. Diplomirala je na odseku Filmska i TV kamera Akademije Umetnosti u Beogradu. Doktorirala je na odseku za Scenski dizajn Interdisciplinarnih poslediplomskih studija Univerziteta umetnosti u Beogradu.

Tidal wave – photography exhibition by Sonja Žugić

Tonight 26th April 2018 at 19h, opening of photography exhibition “Tidal wave” by Sonja Žugić, Photo Point, Kraljevića Marka 21

A crest of ocean water resulting from tidal forces.

Tide is a term used to define the alternating rise and fall in sea level produced by the gravitational attraction of the moon and the sun.
The moon tries to pull at anything on the Earth to bring it closer but the Earth is able to hold everything – except the water around us and water that we are.
Each day, there are two high tides and two low tides. The high tides occur when the moon reaches the high point in the sky – lunar zenith.

These photos were created in Morocco, on the Atlantic coast, in a process of observing and following ocean breathing, luminescence, its mood and overflow, shaded by author thoughts and feelings.

Sonja Žugić, born in 1977 in Belgrade graduated from the department of Film and TV camera Academy of Arts in Belgrade. She received her PhD from the Department of Scene Design Interdisciplinary postgraduate studies in the University of Arts in Belgrade and specialized light design on Stanford University, USA.

Fotografija/Portfolio – predavanje i radionica

Danas 25. aprila 2018. godine u 16h, predavanje i radionica na temu Fotografija/Portfolio, Univerzitet Metropolitan, Tadeuša Košćuška 63

Predavanje i radionica koju će držati profesori Madlena Dačić i Nikola Majdak će prelaziti različite tematike i forme dizajnerskog portfolia fokusiran na medije fotografije u okviru dizajna. Koji su realni zahtevi tržisti, trendovi u dizajnu portoflia za 2018-u godinu, načini produkcije i evaluacije formata specifičnih portoflia na temu fotografije. Takodje korisni saveti i trikovi na temu produkcije važećeg i istaknutog .

Photography/Portfolio – Workshop & Lecture

Today 25th April 2018 at 16h, Photography/Portfolio lecture and workshop, Metropolitan University, Tadeuša Košćuška 63

At this lecture/workshop Professors Madlena Dašić and Nikola Majdak will be conquering the purposes, uses and presentations of artistic portfolios in the domain of photography and design. What the realistic demands are of the public are, trends in design portfolios for 2018, ways of producing and the vary of formats in these specific presentations are. Useful tips and secrets on producing a competent and commercial photography portfolio.

Language: Serbian

Connections – Exhibition of Contemporary Russian photography

Tonight 25th April 2018 at 19h, opening of “Connections”, exhibition of Contemporary Russian photography, Kvaka 22, Ruzveltova 39

Artists
Elena Anosova, Anna Block, Ikuru Kuwajima, Varvara Kuzmina, Dmitry Lookianov, Olga Matveeva, Ivan Petrokovich, Maria Pokrovskaya, Ekaterina Pryanichnikova, Igor Samolet, Danila Tkachenko
Curated by Olga Matveeva

Modern Russia is still dominated by vertical connections, both on mental level and in power structures. Changing of that vector is a labour-consuming process. Artwork reveals its conflict component through observation and dialogue.

One of the most poignant issues today is the search for one’s place in the intricate, sometimes turbulent, political and social world order.

Artists presented in the show are united by the close attention to the way how personal and social relationships are being transformed today and what consequences these changes bring to the individual and to society as a whole. The works of exhibitors are focusedon comprehension of horizontal personal and social connections, as well as breaks in them, by addressing the subjects of a dialogue, memory, time, transformation, compromise.

The artists aspire to get away from direct documentary photography, working with a variety of presentation forms extending boundaries of statements and perceptions.

Danila Tkachenko addresses performative practice in photography. Setting fire to ruined villages, he initiates a discourse on the world, not just a Russian process that would never be the same again.

Farewell to the past, – inevitably looks to the future. Dmitry Lookianov addresses the theme of bedroom suburbs of the city architectural design, studying sterile aesthetics of the new mode of life. The connections in time can be interpreted by the artists on deeply personal examples.

Ekaterina Pryanichnikova makes memory patterns and self-regulating social connections, using organic material in a borderline state of alive and inanimate nature.

Elena Anosova goes further with the concept of her studies: watching woman’s identity change and distortion in the closed institutions. In her work she reproduces women’s prisoners’ badges, deformed and changed by time.

The theme of escapism on different levels is revealed in the works of Igor Samolet, Ivan Petrokovich, Anna Block and Olga Matveeva. Artists are looking for ways to escape from the dominant social and political processes through corporality to nature, analyzing personal perception of the conventional borders of reality: intermediate phases of conscience and body, life and death, fact and fiction.

An appeal to classical Russian culture and historical figures initiates a discourse around links at the level of an archetype. Maria Pokrovskaya in her work “The Tradition of good taste” in a playful form makes a dialogue with consumer society, building her study into visual context of Russian classical painting and Ampir, Stalin era monumental art. Ikuru Kuwajima is a Japanese photographer who has been a Russian resident for several years. In his work “I, Oblomov” the author conceptualizes mental connections with Russia, through classical Russian literature. Varvara Kuzmina creates mythology around the figure of Jury Gagarin that became sacred in Russian conscience. The author studies the place of the cosmonaut’s tragic death, linking the recreated artefacts into a specific planet system.

Veze – izložba moderne ruske fotografije

Večeras 25. aprila 2018. godine u 19h, otvaranje izložbe moderne ruske fotografije, pod nazivom “Veze”, Kvaka 22, Ruzveltova 39

Umetnici
Elena Anosova, Anna Block, Ikuru Kuwajima, Varvara Kuzmina, Dmitry Lookianov, Olga Matveeva, Ivan Petrokovich, Maria Pokrovskaya, Ekaterina Pryanichnikova, Igor Samolet, Danila Tkachenko
Curated by Olga Matveeva

U modernoj Rusiji preovladava vertikalna komunikacija, kako na mentalnom nivou, tako i u smislu odnosa struktura moći. Promena tog vektora predstavlja težak i dugotrajan proces. Umetničko delo razotkriva konfliktne komponente ovih procesa kroz posmatranje i dijalog. Potraga za sopstvenim mestom unutar složenog, često turbulentnog političkog i društenog svetskog poretka jedno je od najznačajnijih pitanja današnjice. Umetnici su danas objedinjeni kroz usredotočenost na pitanje kako se lični i društveni odnosi transformišu i kakve posledice ove promene ostavljaju na individui i društvu u celosti.

Radovi učesnika izložbe fokusirani su na razumevanje horizontalnih ličnih i društvenih veza, kao i na njihove diskontinuitete, dotičući teme dijaloga, sećanja, vremena, transformacije, kompromisa. Umetnici teže da pobegnu od direktne dokumentarne fotografije kroz rad sa različitim formama predstavljanja, pomerajući na taj način granice iskazivanja i percepcije.

Danila Tkačenko obraća se performativnim praksama u fotografiji. Paljenjem napuštenih, ruiniranih sela na radikalan način inicira diskurs, ne samo ruskog, već i svetskog procesa koji je ireverzibilan.

Oproštaj od prošlog neizbežno upire pogled u budućnost. Dmitrij Lukijanov nadgleda stambene regije grada istražujući sterilnu estetiku novog načina života.
Povezanost tokom vremena umetnici interpretiraju i kroz duboko lične primere samih umetnika. Jekaterina Prjaničnikova sačinjava uzorke sećanja i samoregulativne društvene veze koristeći organske materijale u graničnom stanju žive i nežive prirode.

Elena Anosova nastavlja da razvija osnovnu koncepciju svojih radova: istraživanje promena i deformacija ženskog identiteta unutar zatvorenih institucija. U svom radu ona reprodukuje preinačene i, tokom vremena, modifikovane ambleme zatvorenica u ženskom zatvoru.

Tematika eskapizma se, na različitim nivoima, otkriva u radovima Igora Samoleta. Ivana Petrokoviča i Ane Blok. Ovi umetnici tragaju za načinima bekstva od dominantnih društveno-političkih procesa kroz telesnost do prirode, analizu ličnog percipiranja konvencionalnosti granica realnosti: granično stanje svesti i tela, života i smrti, činjenica i fantazije.

Obraćanje klasičnoj ruskoj kulturi i istorijskim figurama inicira diskurs unutar veza na nivou arhetipa. Marija Pokrovskaja u radu „Tradicija dobrog ukusa“ u formi igre stupa u dijalog sa potrošačkim društvom, integrišući svoj rad unutar vizuelnog konteksta ruskog klasičnog slikarstva i monumentalnog slikarstva staljinističke ere.

Ikuru Kuvajima, fotograf iz Japana, koji je bio stanovnik Rusije tokom nekoliko godina, u svom radu „Ja, Oblomov“objašnjava stečene mentalne veze sa Rusijom kroz klasičnu rusku literaturu.

Varvara Kuzmina gradi mitologiju unutar sakralizovane ruske svesti oko figure kosmonauta Jurija Gagarina. Autorka istražuje mesto pogibije kosmonauta, povezujući pronađene i ponovno stvorene artefakte u čudan sistem planeta.

Connections – exhibition of Contemporary Russian photography

Geometry of nature – group exhibition of Geometry Workshop

Today 24th April 2018 at 12h, opening of photography exhibition “Geometry of nature”, Restoran Tri, Kosovska 51

The Geometry Workshop is a creative platform designed for all students at the Department of Landscape Architecture and Horticulture, where they have the opportunity to develop and express their creative inclinations through exploration of geometry, various forms and compositions, visually interpreting their works in different ways.

The Head of the Geometry Workshop is dr Biljana Jović, docent at the Faculty of Forestry, University of Belgrade.

Participants of Geometry Workshop explored the beauties of natural geometric patterns around as. They will through a visual approach introduce observers into the world of visible and invisible geometry of nature at this year’s exhibition at the Belgrade Photo Month Festival.

Geometrija u prirodi – grupna izložba Radionice Geometrija

Danas 24. aprila 2018. godine u 12h, otvaranje izložbe fotografija “Geometrija u prirodi”, Restoran Tri, Kosovska 51

Radionica Geometrija je kreativna platforma namanjena studentima sa Odseka za pejzažnu arhitekturu i hortikulturu, na kojoj studenti imaju priliku da razvijaju i izražavaju svoje kreativne sklonosti kroz istraživanje geometrije, različitih formi i kompozicija, vizuelno predstavljajući svoja dela na različite načine.

Rukovodilac platforme Radionica Geometrija je dr Biljana Jović, docent na Šumarskom fakultetu, Univerziteta u Beogradu.

Učesnici Radionice Geometrija istraživali su lepote prirodnih geometrijskih obrazaca prisutnih oko nas. Kroz vizuelni pristup uvešće posmatrače u svet vidljive i nevidljive geometrije prisutne u prirodi na ovogodišnjoj izložbi na internacionalnom festivalu Beogradski Mesec Fotografije.