All posts by belgradephotomonth

BPM 2019: Akademija Umetnosti Beograd – Cijanotipija

15. April, 19h
Bartcelona Gallery
Čumićeva, 11000 Belgrade, Serbia

Na katedri za fotografiju i kameru tokom decembra 2018. godine održana je radionica plemenitog fotografskog postupka iz 19. veka – cijanotipije. Radionicu je vodio Uglješa Dapčević, diplomirani snimatelj i stručnjak za tradicionalne i plemenite fotografske postupke. Desetak studenata ali i jedan profesor i dva saradnika u nastavi, učili su proces cijanotipije i izradili pedesetak fotograma u toj tehnici. Fotografije nastale tehnikom cijanotipije specifične su po svojoj indigo plavoj boji koja varira od intenzivno tamne, skoro crno-plave boje, pa sve do nežnih pastelnih tonova plave koje kreiraju
kalijum i gvožđe. Lepota ovog postupka nije samo u neverovatnoj plavoj boji već i u jednostavnosti postupka.

Stečena znanja na radionici polaznici su primenili na svoje lične fotografske projekte, posebno prilagođene ovoj fotografskoj tehnici. Svaka od izloženih serija svojevrstan je spoj njihovih umetničkih aspiracija i tema koje istražuju, kao i specifičnosti tehnike cijanotipije.

Na izložbi učestvuju: Marina Ilić, Matej Milenković, Katarina Ćuk, Lazar Vučković, Miloš Golubović, Marina Čabarkapa, Teodora Tomić, Tamara Antonović, Matija Munjiza Petrović i Miodrag Trajković.

Organizator radionice i kustos izložbe je vanredni profesor Ivana Tomanović.

BPM 2019: 50 PIŠEM, 202 Pamtim! Photo-history of „Radio Belgrade 202”

April 15, 6PM
Biblioteka grada Beograda
Knez Mihailova 56, 11000 Belgrade, Serbia

“Radio Belgrade 202 – Half a Century On Top (Tito couldn’t do better!)”

On the occasion of fifty years of Radio Belgrade 202, we present some interesting moments and people, whose photos evoke the history of the radio station that is so different from the others.

On June 27th, 1969, Radio “Twohundredtwo” went on air for the first time. From that day, the station has been recognisable by its cult radio show, broadcasting, playing the best music, its prominent hosts, themes suitable for people of all ages and its constant interaction with listeners.

Radio Belgrade 202 is the first radio station which went out of the studio and made live coverage in the field, often in unusual places (on planes, trams, caves, Ada Ciganlia, stadiums, concert halls, etc.). It has grown into the only radio station which broadcasts continuously the best concerts of leading local and foreign bands and organises performances by the greatest and the most promising local musicians. “Radio for listening and watching”, the old motto from the time of the first programmes out of the studio, today
gets a new dimension through photographic and video content on social networks and the RTS Planeta platform.

The exhibited photographs represent fragments from the first 50 years of Radio Belgrade 202 and reveal the essence of the station. Along with archived Radio Balgrade photos we are presenting the collection of photos by Marina Pesic “Signed out of time”, who impeccably combines the Radio Belgrade 202 program and rock photography.

Exhibition will finish on 30/4/2019

BPM 2019: 50 PIŠEM, 202 Pamtim! Foto-istorijat „Dvestadvojke”

15. April, 18h
Biblioteka grada Beograda
Knez Mihailova 56, 11000 Belgrade, Serbia

„Pola veka Radio Beograda 202 na vrhu – ni Tito nije mogao bolje!”
Foto-istorijat Beograda 202

Povodom 50 godina Radio Beograda 202, predstavljamo neke značajne i zanimljive momente i ljude čije fotografije dočaravaju istoriju ovog radija.
„Dvestadvojka” se prvi put čula u etru 27. juna 1969. godine. Od tada do danas ostaje prepoznatljiva po svojim kultnim emisijama, prenosima, najboljoj muzici, drugačijim voditeljima, temama koje ne biraju uzrast i stalnoj komunikaciji sa slušaocima.

Radio Beograd 202 je prvi radio koji je izašao iz studija i emisije uživo radio na terenu i to na neobičnim mestima (iz aviona, tramvaja, pećine, sa Ade Ciganlije, stadiona, koncertnih sala). Izrastao je u jedini radio koji u kontinuitetu prenosi najbolje koncerte vodećih domaćih i inostranih bendova i organizuje nastupe najvećih i najperspektivnijih domaćih muzičara.

Izložene fotografije predstavljaju fragmente prvih 50 godina koji otkrivaju suštinu „Dvestadvojke”. Pored slika iz arhive Radio Beograda, predstavljamo i kolekciju Marina Pešić „Potpisano izvan vremena” koja idealno spaja program „Dvestadvojke” i rok fotografiju.

Kustos izložbe je Ružica Vrhovac

Muziku bira DJ Časna sestra

Izložba je otvorena do 30. aprila 2019.

BPM 2019: Catalin Marin – Concrete, glass and steel monuments

April 13, 12PM
Radisson Collection Hotel, Old Mill Belgrade
Bulevar Vojvode Mišića 15, 11000 Belgrade, Serbia

Exhibition from 13/4/2019 to 30/4/2019

In my day to day photography career I get hired by clients to photograph beautiful buildings and the spaces they create, yet I still keep an eye out for structures I find interesting in all the places I get to travel to.

This particular series of images includes a collection of my favourite
buildings I have photographed throughout the Middle East and Asia,
ranging from the famous Burj Khalifa in Dubai, United Arab mirates,
topping out at 828 metres to the less famous, but equally beautiful Palace of Peace and Reconciliation in Astana, Kazakhstan.

With the support by Radisson Collection Hotel, Old Mill Belgrade and Ambasada Romaniei Serbia

BPM 2019: Catalin Marin – Concrete, glass and steel monuments

13. April, 12:00
Radisson Collection Hotel, Old Mill Belgrade
Bulevar Vojvode Mišića 15, 11000 Belgrade, Serbia

Izlozba od 13/4/2019. do 30/4/2019.

U mojoj svakodnevnoj fotografskoj karijeri klijenti me angažuju da
fotografišem lepe zgrade i prostore koje stvaraju, ali na svim mestima na koje putujem ja uvek obraćam pažnju na zanimljive strukture.

Ova namenska serija je kolekcija mojih omiljenih zgrada koje sam
fotografisala širom Bliskog istoka i Azije, od čuvenog Burj Khalifa nebodera od 828 metara u Dubaiju, do manje poznate, ali jednako lepe Palate mira i pomirenja u Astani u Kazahstanu.

Uz podršku Radisson Collection Hotel, Old Mill Belgrade i ambasade Rumunije u Srbiji.

BPM 2019: Relocation

April 12, 7PM
Ostavinska
Kraljevića Marka 8, 11000 Belgrade, Serbia

RELOCATION photo exhibition of FMK students

Open daily from 17 to 21h

Relocation is the topic of the exhibition, where students of the Department of Digital Arts, Faculty of Media and Communications in Belgrade will be presented. Students who opted for a course of conceptual photography had the task of transferring metaphorically to photographs of their previously designed stories and ideas using contextual elements-objects in strictly controlled conditions or in an urban environment.

Moving away from physical dimensions and usages, the authors tried to express their inner, intimate and “artistic” relation to objectivity and everyday. On exposed photographs, ideas are analyzed through a series of different situations, while the recognition of real objects becomes part of the metaphorical and conceptual.

The series of photographs incorporate the idea of contextual relocations of various intimate, profane and public objects from the environment, while conferring new metaphorical and conceptual meanings. While classical relations are problematized by their decomposition, the space of freedom expands the displaced view of both the author and the observer. In a completely new space-context, there are displaced structural elements and a new reality.

Curator of the exhibition prof Dragan Pavlović

BPM 2019: Izmeštanje

12. April, 19h
Ostavinska
Kraljevića Marka 8, 11000 Belgrade, Serbia

IZMEŠTANJE izložba fotografija studenata FMK

Aleksandra Budžak, Emilija Gajić, Milica Bogdanić, Milica Novaković, Milica Staletović, Nina Grbić, Rastko Petrović, Sara Mitić, Suzana Stojković i Vanja Seničić

Otvoreno svakog dana od 17 do 21h

Izmeštanje je tema izložbe na kojoj se predstavljaju studenti master programa departmana Digitalne umetnosti, Fakulteta za medije i komunikacije u Beogradu. Studenti, koji su se opredelili za kurs konceptualne fotografije, imali su zadatak da metaforički prenesu na fotografije svoje prethodno osmišljene priče i ideje upotrebom kontekstualnih elemenata-objekata.

Udaljujući se od fizičkih dimenzija i upotrebnih značenja, autori su nastojali da iskažu svoje unutrašnje, intimno i “artističko” u odnosu na objektivno i svakodnevno. Na izloženim fotografijama, ideje se analiziraju kroz niz različitih situacija, dok prepoznavanje realnih predmeta postaje deo metaforičkog i konceptualnog.

Serije fotografija objedinjuje ideja kontekstualnih izmeštanja raznih intimnih, profanih i javnih predmeta iz okruženja uz istovremeno dodeljivanje novih metaforičkih i konceptualnih značenja. Dok se klasični odnosi problematizuju njihovom dekompozicijom, prostor slobode se širi izmeštenim stanovištem kako autora, tako i posmatrača. U potpuno novom prostoru-kontekstu nude se izmešteni strukturalni elementi i nova stvarnost.

Kustos izložbe je prof Dragan Pavlović

BPM 2019: Asja Zec, Skullcheez, Autosugestija – e/motion

April 10, 7:30PM
UK Stari grad
Kapetan Mišina 6a, 11000 Belgrade, Serbia

The exhibition 𝗘/𝗠𝗢𝗧𝗜𝗢𝗡 presents three young artists from Serbia, who in their own way document the music, alternative and cultural scenes in Serbia and surrounding regions.

From small dark clubs to big bright stages, three different viewpoints will fill the walls of UK Stari grad, reminding us of teenage rooms and returning us to that feeling from which we all started to fall in love with music.

Anastasija Asja Zec presents her works for the first time to the Belgrade public in this exhibition. She made her first concert photography in 2014, but has been actively engaged in documenting concerts from 2016.

“I consider concert photography as technically challenging. The photographer does not have control over the light, subject or location for these photos. That’s why every concert is a unique challenge, unrepeatable and true.”

www.instagram.com/asjadellamore

Jovana Milovanović | Skullcheez | is a more than once rewarded rock photographer and was the youngest participant in the exhibition “50 Years of Concert Rock Photography in Serbia”. Between 2012 and 2015 she had an active photographic presence on the local music scene, capturing photos for local portals and magazines. Since 2018 she has been collaborating with the American music portal Music Existence.

She graduated in Graphic Design from Belgrade Polytechnic with a final photo project work entitled “Photography and Music”. She has exhibited her works in collective exhibitions by the Photo Association of Serbia and International Salon of Photography.

www.instagram.com/skullcheez

Milica Cvetković | Autosugestija | is a cameraman, photographer and student at The Faculty of Dramatic Arts. Since 2015 she has photographed for several Serbian music portals and she is the author of a number of music videos.

“For me, concert photography is my first love. I bought my first camera with the intention of recording the “real” moments at concerts while I enjoy every performance. There is something deep in the emotions that arises in that relationship between audience and performer, that moment is crucial. We are struggling in chaos, and we are here to feel, record and carry on that moment.”

www.instagram.com/autosugestija

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Belgrade Photo Month
www.instagram.com/belgradephotomonth
In Collaboration with MMI Festival

BPM 2019: Asja Zec, Skullcheez, Autosugestija – e/motion

10. April, 19:30h
UK Stari grad
Kapetan Mišina 6a, 11000 Belgrade, Serbia

Izložba 𝗘/𝗠𝗢𝗧𝗜𝗢𝗡 predstavlja tri mlade umetnice iz Srbije, koje kroz fotografiju na svoj način dokumentuju muzičku alternativnu i kulturnu scenu u zemlji i regionu.

Od malih zamračenih klubova do velikih i svetlih bina, tri različita senzibileta prošaraće zidove UK Stari grad podsećajući na tinejdžerske sobe i vraćajući se onom osećaju od kojeg je sve krenulo u ljubavi prema muzici.

Anastasija Asja Zec ovom izložbom prvi put predstavlja svoje radove beogradskoj publici. Prvu koncertnu fotografiju napravila je 2014. godine, ali joj se aktivno posvećuje tek od 2016. godine.

„Koncertnu fotografiju smatram za jednu od težih. Fotograf nema kontrolu nad svetlom, subjektom, a vrlo često ni nad mestom odakle fotografiše. Zato je svaki koncert jedinstven izazov, neponovljiv i istinit.”

www.instagram.com/asjadellamore

Jovana Milovanović | Skullcheez | je više puta prvonagrađeni koncertni fotograf i najmlađi učesnik izložbe „50 godina koncertne rock fotografije u Srbiji”, sa aktivnim fotografskim prisustvom na muzičkoj sceni od 2012. do 2015. godine, kada fotografiše za lokalne portale i magazine.

Od 2018. sarađuje sa Američkim muzičkim portalom Music Existence. Završila je VŠSS Beogradsku Politehniku, smer grafički dizajn, sa završnim radom iz fotografije pod nazivom „Fotografija i muzika”. Svoje radove izlagala je i u kolektivnim izložbama Foto saveza Srbije i Međunarodnog salona fotografije.

www.instagram.com/skullcheez

Milica Cvetković | Autosugestija | je snimatelj, fotograf i student kamere na FDU. Od 2015. godine fotografiše za nekoliko domaćih muzičkih portala i autor je muzičkih alternativnih spotova.

„Za mene je koncertna fotografija prva ljubav. Prvi aparat sam kupila s namerom da zabeležim „pravi” trenutak na sceni, dok usputno uživam u svakoj svirci. Postoji nešto duboko u emociji koja nastaje u odnosu publike i izvođača, taj trenutak je ključan. Borimo se u haotičnosti, i tu smo da taj trenutak osetimo, zabeležimo i prenesemo.”

www.instagram.com/autosugestija

BPM 2019: ENTER.Photobooks from the Baltics – curator Evita Goze

April 9, 7PM
Dom kulture Studentski grad
Bulevar Zorana Djindjica 179, 11070 Novi Beograd

Exhibition from 9/4/2019 to 25/4/2019

In the last decade, the photobook has become an important tool for artists to present their work. Rather than simply being a compilation of images, it encourages thinking in sequences and creating narratives in which not only the images themselves, but text and design also play an important role in the unfolding of the story.

As in many other post-Soviet regions, in the Baltics for many years
a photography book meant mostly a massive artist’s monograph, a
compilation of images dedicated to a specific theme or an exhibition
catalogue. However, the scene has been stirred up recently by young artists, designers and publishers, who are reaching out to the international photobook market and taking to the book form as a new challenge for presenting their ideas. Artist books in small print runs are being self-published, experimental publishing houses established and new international connections made.

This selection of Latvian, Lithuanian and Estonian photobooks from
recent years puts an emphasis on the younger generation of artists, small, independent publishing houses and self-publishing. Presented side-byside, these books offer a comparison between developments, topics, trends and approaches in photobook-making in each of the Baltic countries.

Books © ISSP Library and personal collections.