All posts by bpm_info

Trains and people – photography exhibition by Katarina Ristić

On Saturday, 14th April 2018 at 19h, photography exhibition “Trains and people” by Katarina Ristić, Railway Museum in Belgrade, Nemanjina 6

Katarina Ristić, photographer amateur, takes part in the Belgrade Photo Month Festival for the third time in a row with a clear desire to make her modest contribution to the development of photography in Serbia and to bring the photo closer to the local population through its popularization and presence. Katarina participated in over a hundred collective exhibitions and this is her fifth solo exhibition of photographs that will try to show her views of people connected with rail and trains…

Vozovi i ljudi – izložba fotografija Katarine Ristić

U subotu, 14. aprila 2018. godine u 19h, izložba fotografija Katarine Ristić pod nazivom “Vozovi i ljudi”, Železnički Muzej u Beogradu, Nemanjina 6

Katarina Ristić, fotograf amater, treću godinu za redom učestvuje na festivalu Beogradski mesec fotografije sa jasnom željom da da svoj skroman doprinos razvoju fotografije u Srbiji i da fotografiju približi lokalnom stanovništvu kroz njenu popularizaciju i prisutnost. Katarina je učestvovala na preko sto kolektivnih izložbi a ovo je njena peta samostalna izložba fotografija kojom će pokušati da iskaže svoje viđenje ljudi povezanih sa železnicom i vozovima…

Ja sam Rohindža – izložba fotografija Mohammada Rakibul Hasana

Dodjite danas, 14. aprila 2018. godine u 17h, na otvaranje izložbe fotografija “Ja sam Rohindža” Mohammada Rakibul Hasana, galerija Božidarac, Radoslava Grujića 3

Prema Deklaraciji Ujedinjenih nacija o ljudskim pravima, „Svako ima pravo na život“. Rohindže su narod koji govori Indo-arijski jezikom, i već vekovima živi u državi Rakhine u Mijanmaru. Vlada Mijanmara ih nikada zvanično nije prizala kao manjinsku etničku grupu, sa ostalih osam nacionalnih autohtonih grupa, što – po mom mišljenju – predstavlja oštro kršenje ljudskih prava. Oni tu žive kao narod bez države, narod kome su uskraćena prava i koji je na stalnom udaru različitih vidova diskriminacije od strane ostalih pripadnika većinskih grupa i religija. Procenjuje se da je oko milion Rohindža izbeglica brodovima, pešice ili drugim prevoznim sredstvima ušlo u Bangladeš, dolazeći iz različitih delova Mijanmara, rizikujući sopstvene živote i svu svoju imovinu.
Humanost bi, bez obzira na sve, trebala biti na prvom mestu. Ne bismo trebali verovati u granice i podele između nacionalnosti ili rasa. Svi smo ljudska bića i svi smo na ovom svetu samo na kratko vreme. Uvek treba razmišljati šire i verovati u jednakost i pravdu za sve. Samo takva unutrašnja osećanja mogu da nas primoraju da postanemo dobra ljudska bića koja se brinu jedni za druge.

Ja sam Rohindža

Rohindže su manjinska muslimanska etnička grupa koja već vekovima živi u Mijanmaru. Međutim, usled rasizma i brojnih drugih društveno-političkih pitanja pokrenutih od strane većinske grupe u Mijanmaru, postali su žrtva samo-kategorizacije kao potomaka Bengali grupe, čija je poslednja migracija iz Mijanmara u Bangladeš otpočela u avgustu 2017[1]. Njihova vlastita država, koja im je uskratila etnička prava, ih ne ubraja među ostale 135 etničke grupe, jer ih Vlada Mijanmara smatra izbeglicama iz Bangladeša. Više od milion članova Rohindža zajednice je nekad živelo u Mijanmaru, i predstavljaju najprogonjeniji narod na svetu, dok ih je poslednji egzodus učinio još ranjivijim.

Nije uopšte bilo jednostavno za osveštenog fotografa da sluša priče i fotografiše, kako bi proizveo estetski najbolji umetnički komad. Pre je izgledalo kao dokumentovanje užasa istine. Više puta sam odlazio u lokalne bolnice da posetim žrtve koje su stigle u Bangladesh sa povredama koje im je nanela myanmarska vojska tokom njihovog bekstva. Dobitnica Nobelove nagrade za mir, Aung San Suu Kyi, možda nije ni pomislila da se pobuni protiv vojnih generala zbog materijalnog životnog zadovoljstva, ali velike mogućnosti su rezervisane za vlasnika i stvaraoca svega u ovom svetu i samog univerzuma, i On može da donese pravdu jednom i za svagda, pre nego što bude kasno za nedužna ljudska bića.

Autor Mohammad Rakibul Hasan
Prevod Mirjana Kosic

I am Rohingya – photography exhibition by Mohammad Rakibul Hasan

Come today, 14th April 2018 at 17h, to the opening of photography exhibition “I am Rohingya” by Mohammad Rakibul Hasan, gallery Božidarac, Radoslava Grujića 3

According to the United Nation’s declaration of Human Rights, “Everyone has the right to live”. Rohingyas are Indo-Aryan- speaking people, who have been living in the Rakhine State of Myanmar for centuries. Myanmar Government never officially recognized these people, as an ethnic minority group among the other major eight national indigenous races, which I believe, is a complete violation of human rights. They live there as stateless people who are deprived of their rights, and are always under pressure of various levels of social discrimination and violation by other major religious belief holders. One million of Rohingya refugees were estimated to have gradually entered into Bangladesh by boat, on bare foot and by other means of transportation from many distant places of Myanmar, risking their lives and belongings. In every case, humanity comes first. We should not believe in the existence of borders and partitions among nationalities or races. We all are humans, and are here on earth for a certain period. It is always better to think broader and about the equality and justice for all. These inner feelings always can force us all become a good human being who cares for each other.

I am Rohingya

The Rohingya is a minor Muslim ethnic group who has been living in Myanmar for centuries. However, due to the racism and many other socio-political issues accelerated from the majority in Myanmar, they became a victim to a categorization of themselves as Bengali descendents, the recent migration of whom began on August 2017, from Myanmar to Bangladesh. These people are deprived of their ethnic rights by their own country, which includes non-enlistment with other 135 official ethnic groups, as Myanmar government has regarded them as stateless refugees from Bangladesh [1]. Over one million Rohingyas used to live in Myanmar, and they are the most persecuted people in the world and their current exodus has made more vulnerable.

It was not an easy condition at all for a conscious photographer to listen to the stories, and taking the photographs to produce the best aesthetical piece of art. It was more like documenting the horror of truth. I went to the local hospitals for several times to see the victims who entered into Bangladesh with injuries brought by the Myanmar Armies during the time they were fleeing. Or perhaps, the army just wanted to loot the belongings of these people. The Nobel Peace Laureate, Aung San Suu Kyi, might not have pondered to go against the elite Army Generals for the sake of material happiness of life, but there are great chances reserved for the owner and creator of everything and this universe, and He can bring justice for once and for all, before it is too late for innocent human beings.

Written by Mohammad Rakibul Hasan

Larger than life – Olga Titova’s photography exhibition

Today, 13th April 2018 at 19h, we are inviting all street photography lovers to Olga Titova’s exhibition “Larger than life”, opening at Zoom Art Cafe, Dobračina 76

“Street photography is a complicated, interesting and unpredictable art. Every time I go out with completely no idea of what surprises the streets had prepared for me I and what am to see today.

Sometimes you can face scenes like from a theater of the absurd and people really amaze me. Or the usual city landscape suddenly turns in a fantastic combination of forms, lights and color.

In a split second the puzzle of circumstances put together, and you are only to press the button, and the next minute it falls apart and never happens again. These photos are imprints of that unique moments, and maybe they seem a little more alive and vivid than real life can be. But it is a point where two realities intersect – a sudden street scene and the inner state of the photographer, and this mix is providing the most amusing and unpredictable result.”

Olga Titova

At the exibition opening Olga will present her new photo book “Pride” – the winner of three latest photobooks’ contests:

– Fuam Dummy Book Awards (Istanbul), 2017
– ViennaPhotoBookAward, 2017
– PhotoBookFest (Moscow), 2017.

Veće od života – izložba fotografkinje Olge Titove

Danas, 13. aprila 2018. godine u 19h, pozivamo sve ljubitelja street-fotografije u Zoom Art Cafe, Dobračina 76, na otvaranje izložbe ruske fotografkinje Olge Titove “Veće od života”

“Ulična fotografija je složena, interesantna, iznenadna i nepredvidiva. Svaki put idem da fotografišem, apsolutno ne znajući kakvo će iznenađenje mi spremiti “ulica”.

Ponekad oko mene se odvija pravi teatar apsurda, ljudi umeju da zadive i iznenade. Ili obične gradske krivine odjednom zadivljuju neobičnim kombinacijama boja i svetlosti.

U nekom deliću sekunde, okolnosti se iznenada spleću u idealnu slagalicu, tada stižem da pritisnem dugme, a već u sledećem trenutku sve se raspalo i više se nikada neće ponoviti. Ipak ostaje momentalni otisak tog trenutka, i to su – fotografije. Možda će se učiniti da su za trunčicu “življe od života”, jer se u tom trenutku slučajno dodiruju dve apsolutno paralelne realnosti – iznenadna ulična scena i raspoloženje, unutrašnje stanje fotografa. Ovakav “koktel” ponekad daje najnepredvidivije i iznenadne rezultate.”

Olga Titova

Na izložbi takođe biće predstavljena knjiga “Pride”, koja se već našla na finalnim listama svetskih takmičenja:

– Fuam Dummy Book Awards (Istanbul), 2017
– VienaPhotoBookAward, 2017
– PhotoBookFest (Moskva), 2017

Solo un ricordo – photography exhibition by Matteo Girola

On Friday, 13th April 2018 at 18h, in the presence of the artist and curator of the exhibition, we are inviting you to the opening of the exhibition of photographs “Solo un ricordo” by Matteo Girola, Italian Institute for Culture in Belgrade, Kneza Miloša 56

Matteo Girola explores the mutation of the photo in time with saturated images and shaped social networks. During his first exhibition in Belgrade, the artist invites the audience to travel through time and space, from the creation of photography to its contemporary use, revealing the social and anthropological revolution caused by this medium. With minimalistic interventions and poetic playfulness unique to Girola, the exhibition offers “Solo un ricordo” of the time when the photo was still an unexplored territory and when surrealism did not take over reality.

Curator of the exhibition is Julia Rajačić.

Samo uspomena – izložba fotografija Matea Đirole

U petak, 13. aprila 2018. godine u 18h, u prisustvu umetnika i kustosa izložbe, pozivamo vas na otvaranje izložbe fotografija “Samo uspomena” Matea Đirola, Italijanski institut za kulturu u Beogradu, Kneza Miloša 56

Mateo Đirola istražuje mutaciju fotografije u vremenu zasićenom slikama i oblikovanom društvenim mrežama. Tokom njegove prve izložbe u Beogradu, umetnik poziva publiku da putuje kroz vreme i prostor, od nastanka fotografije do njene savremene upotrebe, razotkrivajući socijalnu i antropološku revoluciju prouzrokovanu ovim medijumom. Minimalističkim intervencijama i poetičnom razigranošću jedinstvenom za Đirolu, izložba nudi “Samo uspomenu” vremena kada je fotografija još uvek bila neistražena teritorija i kada nadrealnost nije preuzela stvarnost.

Kustos izložbe je Julia Rajačić.

Ceux du Monde – photography exhibition by Yann Laubscher

From today, 12th april 2018, you can send a request (by email to info@belgradephotomonth.org) to organize a Group Visit to “Ceux du Monde”, photography exhibition by Yann Laubscher, in Swiss Ambassador Residence, Andre Nikolica 30, Senjak, Belgrade

In 2010, the photographer Yann Laubscher goes on his first trip to Siberia in the Republic of Tuva (Russia). He has since then returned to the wilderness of this country each year, in regions such as Siberia, Kamchatka and the Urals. Associating portraits, landscapes and objects, without distinct chronological nor geographical markers, his previous work The Call is an immersion into the footsteps of a rough and precarious life, full of free dignity.

On his journey, he discovered an isolated valley crossed by a river, the Ka-Khem (Little Yenisei River), where approximately 1000 people live out of this world. During eight months each year, the valley is cut off by the snow, the river being frozen over. Six years after this first expedition, the photographer decided to return, this time in the heart of winter, walking 100 kilometers back up the frozen river to the last family living the most upstream, and therefore the most isolated.

After several endless days of walking, fighting cold bites and the pitfalls of the Ka-Khem, the photographer and his interpreter discovered, nestled in the heart of the valley, anchorites living in hermitage in simple shacks. In their daily life, where praying, reading, gardening, caring for livestock, cultivating, hunting and fishing are mingled, a kind of exclusive asceticism is established. Living in hermitage means salvation.

The past of these Orthodox Old Believer families, settled in this valley for over 100 years, is part of a flight linked to a schism of the Church in 1653. Opposing the Tsar, rejecting all powers, and denying government laws, official papers, food and customs of the “century” led them into hiding away in the most inaccessible nooks of the taiga and living in total rupture with the world. By being kept free from the latter – full of temptations, sins and contempt for God – they save their bodies and souls. Their daily practices, their clothing, their food, their habits, their language, their icons, their rites, their old manuscript books and their legends : all is preserved in this valley of past times, thanks to a certain distance and inaccessibility, despite the exchanging with travelers of basic food and petrol against fish and fur.

This face-to-face with nature, both rich and ruthless, is supported by a force of faith, almost frantic, helping them to survive and endure everything fate brings their way. Furthermore, the violent events of the past century reinforce these anchorites in their vision of the sinful world.

Yann Laubscher adopts the role of the involved observer, located both inside and outside of the subject. For him, pointing his lens at them would be an act of betrayal. A temptation to which he did not yield, photography being fundamentally contrary to the spirit of confidentiality of forest hiding. Ka-Khem, taiga, snow, ice and izbas compose the photographs designed to recreate the photographer’s journey through a hostile environment, with a frozen river as a narrative thread.

The photographs seized are suspended in an ambiguity related to the increasing trade with the world. They appear in the same movement present and absent in the world, physically strained by a resistant and almost animal beauty of their way of life, but intrinsically worked by a form of renunciation, abandonment. Without seeking simplification or obeying any logic, the photographer structures a language rather than a style. Wide shot or close-up vision: each of his images is ruled above all by its own point of equilibrium.

With the support of the Embassy of Switzerland in Belgrade

Ceux du Monde – Yann Laubscher izložba fotografija

Od danas, 12. aprila 2018. godine, možete zakazati grupnu posetu (porukom na info@belgradephotomonth.org) izložbi fotografija “Ceux du Monde” Yann Laubscher-a, u rezidenciji ambasadora Švajcarske, Andre Nikolica 30, Senjak, Beograd

Fotograf Yann Laubscher 2010. godine po prvi put odlazi u Sibir u Republici Tuva (Rusija). Od tada se svake godine vraća divljini ove zemlje; odnosno, u regije Sibir, Kamčatku i Ural. Povezujući portrete, krajolike i objekte bez jasnih hronoloških ili geografskih oznaka, njegovo prethodno delo Poziv predstavlja uranjanje u korake grubog i neizvesnog života, koji je ispunjen slobodnim dostojanstvom.

Na svom putovanju je otkrio izolovanu dolinu do koje se dolazi prelaskom preko reke Ka-Khem (Mala Yenisei reka), gde nekih 1000 ljudi žive potpuno izolovani iz ovog sveta. Svake godine, celih osam meseci, ova dolina je odsečena snegom i zaleđenom rekom. Šest godina nakon svoje prve ekspedicije, fotograf odlučuje da se vrati, ovog puta u sred zime, i da prepešači 100 kilometara duž zaleđene reke, sve do poslednje porodice koja živi najuzvodnije, i koja je, samim time, i najizolovanija.

Nakon nekoliko beskrajno dugih dana hodanja, borbe sa promrzlinama i sa zamkama reke Ka-Khem, fotograf i njegov prevodilac su otkrili, ušuškane u samom srcu doline, isposnike koji žive u osami u jednostavnim kolibama. U svom svakodnevnom životu, u kojem se mešaju vreme za molitvu, čitanje, rad u bašti, brigu za stoku, uzgajanje, lov i pecanje, uspostavljen je određeni vid krajnjeg asketizma. Život u isposništvu znači spas.

Prošlost ovih pravoslavnih starozavetnih porodica koje su se pre više od 100 godina naselile u ovoj dolini, deo je bega koji je vezan za veliki crkveni raskol iz 1653. godine. Suprostavljajući se caru, odbijajući svaku silu i negirajući vladajuće zakone, zvanične dokumente i običaje tog “veka”, bili su primorani da se sakriju u najnepristupačnijim uglovima tajge i da žive u potpunoj izolaciji od sveta. Oslobođeni života u svetu prepunom izazova, grehova i prezira prema Bogu, spašavaju svoja tela i duše. Njihove svakodnevne aktivnosti, odeća, hrana, navike, njihov jezik, ikone, običaji, stare rukopisne knjige i legende: sve je sačuvano u ovoj dolini prošlosti, zahvaljujući velikoj udaljenosti i nepristupačnosti, uprkos tome što sa strancima razmenjuju osnovne namirnice i benzin za ribu i krzno.

Ovakvu bliskost sa prirodom, koja je istovremeno i bogata i okrutna, podržava njihova – gotovo mahnita – vera, koja im pomaže da prežive i istraju u svemu što im sudbina stavi na put. Štaviše, nasilni događaji iz prošlog veka samo jačaju ove pustinjake u njihovom viđenju grešnoga sveta.

Yann Laubscher uzima ulogu uključenog posmatrača, koji je smešten unutar, kao i izvan subjekta. Za njega bi upiranje objektiva foto-aparata na njih bio čin izdaje. Iskušenje pred kojim nije poklekao, onoj fotografiji koja je suštinski suprotna duhu poverljivosti koje skrivanje u šumi podrazumeva. Ka-Khem, tajga, sneg, led i izbe čine fotografija koje su stvorene da rekreiraju fotografovo putovanje kroz neprijateljsko okruženje, sa zaleđenom rekom kao niti koja vodi pripovedanje.

Fotografije koje je zabeležio lebde u ambivalentnosti koja je povezana sa sve većim trgovanjem sa svetom. U istom pokretu, one su podjednako prisutne i odsutne u svetu, fizički su zaustavljene otpornom i gotovo animalnom lepotom svog načina života, ali u kom intrinzički deluje neki vid odricanja, napuštanja. Ne tražeći pojednostavljenje niti se povinujući logici, fotograf strukturiše jezik, a ne stil. Vizija slike snimljena izdaleka ili izbliza: svakom od njegovih slika prvenstveno upravlja njena vlastita tačka ravnoteže.

Uz podršku ambasade Švajcarske u Beogradu