All posts by bpm_info

Izložba studenata Akademije umetnosti u Beogradu u Dorćol Platzu

Danas, 12. aprila 2018. godine u 20h, otvaranje izložbe studenata Akademije umetnosti u Beogradu, u Dorćol Platzu, Dobračina 59b

Studenti katedre Fotografija i kamera Akademije umetnosti u Beogradu, od prve do četvrte godine studija, predstavljaju svoje izložbene kolekcije, umetničke projekte, kao i ispitne zadatke, u periodu od 12. do 26. aprila 2018. godine.

Izložbu otvaraju studenti, autori izloženih radova.

Postavka obuhvata fotografske i video radove iz domena dokumentarne, reklamne, igrane i umetničke forme. Mladi fotografi prezentuju su širok dijapazon svojih umetničkih interesovanja: od analogno snimljenih dokumentarnih fotografija, studijskih vežbi, kolaža, instalacija, videa i konceptualne umetnosti, modne i reklamne fotografije, pa sve do istraživanja intimno ličnih tema, društvenog okruženja, kao i interesovanja za savremene tendencije u fotografskom mediju i video umetnosti.

Za muziku će biti zadužen Mafrose.

An exhibition of students of the Academy of Arts in Belgrade in Dorcol Platz

Today, 12th april 2018 at 20h, students’ exhibition opening, from the Academy of Arts in Belgrade, in Dorćol Platz, Dobračina 59b

Students of the Department of Photography and Camera of the Academy of Arts in Belgrade, from the first to the fourth year of studies, present their collections, art projects, as well as examinations, from 12th to 26th April 2018.

The exhibition is opened by students, authors of exhibited works.

The exhibition includes photographic and video works from the domain of documentary, advertising, feature and artistic forms. Young photographers present a wide range of their artistic interests: from analogue documentary photography, studio exercises, collage, installations, video and conceptual arts, fashion and promotional photography to the exploration of intimate personal themes, social environment, as well as interest in contemporary trends in photographic media and video art.

For music, Mafrose will be in charge.

Vedute mundi – HEGschove panorame sveta

Večeras, 12. aprila 2018. godine u 20h, otvaranje izložbe “Vedute mundi” nemačkog fotografa Hans Georg Eša, Atelje blanc / blank, Dunavska 86, II ulaz, IV sprat

Naslov izložbe inspirisala je serija slika vedute di Roma (rimske vedute) Đovanija Batiste Piranezija. Savremeni nemački fotograf Hans Georg Eš (Hans Georg Esch – HEGsch) već godinama se bavi panoramama. Fotografije na ovoj izložbi objedinjuju panoramu i vedutu, odražavajući tako karakter grada. Slike iz ciklusa „Cityscape” (panorama grada) imaju preko četiri metra, a od posmatrača zahtevaju da se udalji od dela, u doslovnom smislu te reči. Da bi sagledali fotografije u celini, posmatrači se moraju udaljiti od njih bar nekoliko metra, ali kada žele dobro da razaznaju detalje, oni im se moraju približiti, i to toliko da više ne raspoznaju levu i desnu ivicu dela koje posmatraju. Ešove fotografije odlikuje brižljiva i celovita kompozicija, tj. izuzetna sprega između širokog plana i središnje perspektive. To ih čini vedutama, koje su svojevremeno imale istu funkciju kao danas Instagram i druge društvene mreže s težištem na fotografijama; one nam pokazuju mesta koja još nismo posetili ili koja nismo upoznali iz iste perspektive kao autor. Eš nam, dakle, pokazuje slike sveta – odatle i naslov Vedute mundi. On pritom suvereno koristi sve što je o slikama naučio kao fotograf arhitekture, stavljajući svoje umeće u službu naše spoznaje sveta.

Rolf Zakse

Goethe-Institut Belgrad uz podršku ingenhoven arhitekata, Leica Camera & Carpet Concept

Vedute mundi – HEGsch’s landscapes of the world

Tonight, 12th april 2018 at 20h, opening of exhibition “Vedute mundi” from German photographer Hans Georg Esch, Atelje blanc / blank, Dunavska 86, II ulaz, IV sprat

The title of the exhibition was inspired by a series of etchings vedute di Roma (views of Rome) by Giovanni Battista Piranzeni. Contemporary German photographer Hans Georg Esch – HEGsch has been fascinated by landscapes for years. Photographs included in this exhibition combine the landscape and veduta, thus reflecting the character of the city. The photographs from „Cityscape” (city landscape) series are more than 4 metres in size, demanding from their viewers to distance themselves for at least few metres, literally speaking. Yet, if they want to discern all details, they need to get much closer, so close that they are no longer able to distinguish between left and right side of a viewed piece. Esch’s photographs are characterised by careful and wholesome composition, i.e. extraordinary combination of wide-angle and central perspective. That is exactly what makes them vedute (views), the function of which at the time was identical to the function of Instagram and other social networks that are primarily based on photography; they show us the places we have not visited or have not as yet encountered from the same perspective as the author. Esch is, therefore, showing us the images of the world – hence the title Vedute mundi. He confidently uses everything he has learned as an architectural photographer, putting his skills into the service of our knowledge of the world.

Rolf Sachsse

By Goethe-Institut Belgrad with the support of ingenhoven architects , Leica Camera & Carpet Concept

Venice Carnival – photo exhibition by Branislav Golub

Come tonight, 11th april 2018 at 19h, to gallery Stara Kapetanija, Kej oslobođenja 8, Zemun, to the opening of Branislav Goluba photo exhibition “Venice Carnival”.

An exhibition of artistic photography Venice – Carnival presents a segment of a wider project in the field of street photography by author Branislav Golub (Candidate Photo Master of Photo Association of Serbia) wanted to bring the audience a very descriptive carnival atmosphere from a different angle. A specific author’s approach to the theme is incorporated in the compositional scheme, which emphasizes the parallel and the relation of the “two worlds”; one timeless, masked one that seeks to return the observer through time and another real, which is a common imagination, building a fairy-tale street atmosphere on the edge of fantasy.

Also, within a very compact thematic unit, photographs highlighting the individuality and character of the actors separated from the crowd are also highlighted. Their intimate retreat in the streets of Venice takes a significant place within the festival atmosphere by introducing observers into carnival through a different and specific prism of observation.

The characteristic and very recognizable photographic style of the author applied within this thematic whole, emphasizes the descriptive value of the street ambience within which the carnival itself takes place. The author allows the viewer to let go of his imagination and build his own perception of carnival and, at least in his mind, cast off the untamed, interwoven streets of Venice and be a part of the carnival atmosphere that returns through time, creating a completely specific visual amusement.

Venecija Karneval – izložba fotografija Branislava Goluba

Dodjite večeras, 11. aprila 2018. godine u 19h, u galeriju Stara Kapetanija, Kej oslobođenja 8, Zemun, na otvaranje izložbe fotografija Branislava Goluba pod nazivom “Venecija Karneval”.

Izložba umetničke fotografije Venecija – Karneval predstavlja segment jednog šireg projekta u oblasti ulične fotografije kojim je autor Branislav Golub (Kandidat Majstor Fotografije Foto Saveza Srbije) želeo da približi publici veoma deskriptivnu karnevalsku atmosferu iz drugačijeg ugla. Specifičan autorski pristup u obradi teme uklopljen je u kompozicionu šemu koja takoreći naglašava paralelu i odnos “dvaju svetova”, i to: jednog vanvremenskog, maskiranog koji teži da posmatrača vrati unazad kroz vreme i drugog realnog, koji zajednički bude maštu, gradeći bajkovitu uličnu atmosferu na ivici fantastike.

Takodje, u okviru veoma kompaktne tematske celine izdvajaju se i fotografije koje naglašavaju individualnost i karakter aktera izdvojenih od gomile. Njihova intimna povučenost na ulicama Venecije, zauzima značajno mesto u okviru festivalske atmosfere uvodeći posmatrača u karneval kroz jednu drugačiju i specifičnu prizmu posmatranja.

Karakterističan i veoma prepoznatljiv fotografski stil autora primenjen u okviru ove tematske celine, naglašava deskriptivne vrednosti uličnog ambijenta u okviru koga se odvija sam karneval. Autor time omogućava posmatraču da se prepusti mašti, te da izgradi sopstvenu percepciju karnevala i bar u mislima odluta nepreglednim, isprepletenim ulicama Venecije i bude deo karnevalske atmosfere koja vraća kroz vreme, stvarajući jedan sasvim specifičan vizuelni ugodjaj.

La Fabrique de la Culture Presenting Transeurope

Tonight, 11th April 2018, at 19h – 21h, “La Fabrique de la Culture” series of French-Serbian art discussions, presents Transeurope platform. Come to French Institute in Serbia, Knez Mihailova 31.

Transeurope, is a platform for photographers and professionals to learn, interact and develop their work internationally. This forum for photography and visual arts borrows from the portfolio reviews formula as creative exchange.

Presented by Christine Ollier and Vangelis Ioakimidis

Christine Ollier is an art historian and an expert in cultural strategy, communication and territorial policies. She is an internationally renowned expert in photography and contemporary art. She conceived a large number of monographic and thematic exhibitions, both in the field of contemporary art and in the field of photography. After having cofounded and directed the gallery Les filles du calvaire, in Paris and Brussels from 1996 to 2016, she has been pursuing her solo career since, devoted to the design of cultural projects, the curatorial of exhibitions and the publication of critical texts as well as artistic consulting activities with artists and collectors. Troughout her career she has established links between artists, institutions, curators and develops projects that illustrate an extraordinary connectivity between public and private partnerships. As a contemporary photo expert, she is regularly invited to participate to juries, portfolio reviews and workshops.

Vangelis Ioakimidis has curated more than 300 exhibitions and publications in France, Greece and in another 15 countries, and he has been collaborating with more than 100 institutions and organizations. He has taken part in more than 30 events; as member of jury for photographic books, contests and Biennale committees, nominator for the Prix Pictet, portfolio reviewer, speaker in conferences, seminars and round table meetings, while he has also been member of national committees on photography. For more than a decade, he had been the Director of the Thessaloniki Museum of Photography (TMP), as well as the Director of PhotoBiennale. While he had been the Artistic Director of the Skopelos Photographic Centre, he had also, been the Curator Program for the Organizing Committee for the Olympic Games in Athens 2004. He had been appointed General Commissioner of Greece in “Septembre de la photographie” in Nice, France, as well as the Curator for the Greek Year in Toulouse, France. He has worked as production and coordination manager, and director of publications at “Contrejour”, the photography magazine “Camera Ιnternational” and the “Photographies Magazine” in Paris.

Conference will be in French with simultaneous translation to Serbian

Fabrika kulture predstavlja Transeurope platformu

Večeras, 11. aprila 2018. godine, od 19h do 21h, u okviru ciklusa francusko-srpskih dijaloga o umetnosti, pod nazivom “Fabrika kulture”, predstavljamo Transeurope platformu. Dodjite u Francuski institut u Srbiji, Knez Mihailova 31.

Transeurope je platforma za profesionalne fotografe, za učenje, razmenu i razvoj svog rada na međunarodnom nivou. Ovaj forum za fotografiju i vizuelnu umetnost koristi pregled poftfolija kao formulu za kreativnu razmenu.

Transeurope predstavljaju Christine Ollier i Vangelis Ioakimidis

Christine Ollier je istoričar umetnosti i stručnjak za kulturnu strategiju, komunikaciju i teritorijalne politike. Ona je međunarodno poznati stručnjak za fotografiju i savremenu umetnost. Osmislila je veliki broj monografskih i tematskih izložbi, kako u oblasti savremene umetnosti, tako iu oblasti fotografije. Nakon što je bila suosnivač i direktor galerije “Les filles du calvaire”, u Parizu i Briselu od 1996. do 2016. godine, započinje svoju solo karijeru i od tada je posvećena dizajnu kulturnih projekata, pripremi izložbi, objavljivanju kritičnih tekstova, kao i konsultativnim aktivnostima sa umetnicima i kolekcionarima. Tokom svoje karijere uspostavila je veze između umetnika, institucija i kustosa, na projektima koji ilustruju izvanrednu povezanost javno-privatnog partnerstva. Kao savremeni stručnjak za fotografiju, redovno je pozvana da učestvuje u žirijima, pregledima portfolija i radionicama.

Vangelis Ioakimidis je kurirao više od 300 izložbi i publikacija u Francuskoj, Grčkoj i još 15 zemalja, a sarađuje sa više od 100 institucija i organizacija. Učestvovao je na više od 30 događaja; bio član žirija za fotografske knjige, takmičenja i bijenale, nominator za nagradu Pictet, recenzent portfolija, predavač na konferencijama, seminarima i okruglim stolovima, kao i član nacionalnih odbora za fotografiju. Već više od jedne decenije je direktor Solunskog muzeja fotografije (TMP), kao i direktor Foto Bienala. Dok je bio umetnički direktor Skopelos fotografskog centra, bio je kustos Organizacionog komiteta za Olimpijske igre u Atini 2004. Imenovan je za generalnog komesara Grčke u “Septembre de la photographie” u Nici, kao i kustos za grčku godinu u Tuluzu. Radio je kao menadžer proizvodnje i koordinacije i direktor publikacija u “Contrejouru”, fotografskim magazinima “Camera International” i “Magazine Photographies” u Parizu.

Konferencija će biti na francuskom jeziku, simultani prevod za srpski je obezbedjen

Od koncepta do fotografske produkcije – TransEurope radionica

U utorak, 10. aprila 2018. godine u 10h, u Domu omladine Beograda, jednodnevna pripremna trening-radionica za fotografe/-kinje i umetnike/-ice koji koriste fotografiju kao medij izražavanja, pod naslovom „Od koncepta do fotografske produkcije“

Radonicu vodi poznata međunarodna stručnjakinja Christine Ollier i član TransEurope tima.

Istoričarka umetnosti i nezavisna kustoskinja, stručnjakinja za savremenu fotografiju, Christine Ollier, će voditi radionicu u kojoj će se fokusirati na proces razvoja fotografskog projekta, od početne ideje, do konačnog proizvoda. Svi učesnici će imati priliku da dobiju konstruktivne komentare, kao i integrisano mišljenje o svojim radovima.

Cilj radionice koju je osmislila Christine Ollier je da doprinese unapređenju veština i znanja učesnika, kroz objašnjavanje celokupnog procesa realizacije njihovog kreativnog rada. U obzir će se uzeti umetnički ciljevi učesnika, a detaljno će biti objašnjeni koraci koji vode do konačne selekcije radova za objavljivanje i izložbu. Štaviše, s obzirom na svoje zavidno iskustvo u razvijanju kulturne strategije, Christine Ollier će učesnicima ponuditi i analizu različitih načina i mogućnosti predstavljanja svojih radova galerijama, instuticijama, festivalima, itd.

From concept to the production of a photographic work – TransEurope workshop

On Tuesday, 10th april 2018 at 10h, in Dom omladine Belgrade, a One-Day Preparatory Training Workshop, for photographers and artists who use the medium of the photography, under the title “From concept to the production of a photographic work“

Workshop will be held by the renowned international expert Christine Ollier and a member of the TransEurope team

Art historian and independent curator, expert of contemporary photography Christine Ollier will lead a session focusing on the development of a photographic project, from its inception until its final production. Each participant will have the opportunity to receive a constructive feedback and an integrated view on his/her work.

The aim of this workshop, conceived by Christine Ollier, is to contribute in improving participants’ work and to explain to them the process of realising a corpus of work. The expert will take into consideration the participants’ artistic objectives, while elaborating on the various steps up to the ultimate selection for publication and exhibition. Moreover, with an extensive experience in cultural strategy, Christine Ollier will analyse to the participants the different ways and options to present and promote their work to galleries, institutions, festivals, etc.