Ocurrencia – Valérie de Marotte Boned

Večeras 2. aprila 2018. godine, izložba fotografija Ocurrencia Valérie de Marotte Boned, u 19:30, galerija Бартcелона, Belgrade Design District

Valerie de Morotte Boned je rođen 1967. godine u Parizu.
Od 2008. do 2015. osnivač i ko-direktor Galeria TAGOMAGO, Barselona / Pariz

“Svaki put kada stremimo ka totalnosti, uviđamo da nam nedostaje. Ništa nije sveukupno. Ako je to zaista tako, fotografi su dokaz trajne nepotpunosti sveta; oni su rezultat – izlučevina – peformansa tela koje se kreće ka nedostižnoj nirvani. Fotografija nije ništa drugo do mi sami, i naš svet”.

Kaji Taki (1928-2011), japanski fotograf i kritičar, Su-osnivač časopisa PROVOKE

Sponzoriše Smokvica

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Ocurrencia – photography exhibition by Valérie de Marotte Boned

Tonight 2nd April 2018, photography exhibition Ocurrencia by Valérie de Marotte Boned, at 19:30, Бартcелона gallery, Belgrade Design District

Valérie de Morotte Boned was born in Paris in 1967.
From 2008 to 2015 founder and co-director Galeria TAGOMAGO, Barcelona / Paris

From then she participated in different Group and Solo exhibitions, mainly in Paris and Barcelona, and now for first time in Belgrade.

“Each time we strive towards totality, we realize that we lack it. Nothing is ever total. If this is the case, then photographs are proof of the abiding incompleteness of the world; they are the result –the excreta-of a performance by the body heading for unattainable nirvana. Photography is nothing but ourselves and our world”.

Kaji Taki (1928-2011), Japanese photographer and critic, Co-founder of PROVOKE

Sponsored by Smokvica

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Exit – Boro Rudić

Exit – Boro Rudić, danas 2. aprila 2018. godine, u 18:30, Galerija Grafički kolektiv, Obilićev venac 27

Izložbu Exit sačinjavaju 40 fotografija napravljenim na ručno izrađenim papirima specijalno za ovu izložbu. Fotografije su podeljene u 4 grupe pod imenima Entry, Messages, Exit i Finish.

Prof. dr. Jasna Koteska, tekst iz uvodnog dela knjige “Exit”:

…Teritorija Rudića je vezana sa vektorima napuštanja, zato se knjiga zove Exit. Ali to nije napuštanje teritorije. Napuštanje je samo ulaz u novu teritoriju. Zato na njegovim fotografijama ima znakova, emisije signala, pruga, puteva, koraka, ulica, ulaza, ograda, sve su to signali namenjeni za tragače. Cilj ovih signala je da budu aux aguets, nadgledanje, oni su namenjeni za dobro oko, kod Rudića kamera ne gleda u panici. Rudić hvata nabore predela, linije stena, kao otkrivanje nove sintakse prostora. Fotografije iz Exit-a, neportretiraju kulturu, već izvesnu spektralnu dimenziju realnosti, kao žuto nebo ili žuto polje kod Van Goga ili kao trava kod Munka. Ovo neznači da Rudić ide u drugu umetnost, u slikarstvo. On ostaje u fotografiji, ali istovremeno je sa jednim korakom van nje, u slikarstvu je…..

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Exit – exhibition by Boro Rudić

Exit – exhibition by Boro Rudić, today 2nd April 2018, at 18:30, Galerija Grafički kolektiv, Obilićev venac 27

“Exit” is composed of 40 photographs developed of papers hand-made for this exhibition specifically. Photographs are divided into 4 groups, and entitled Entry, Messages, Exit and Finish.

Prof. dr. Jasna Koteska, text excerpted from the book introduction of “Exit”:

…Rudić’s territory is connected with vectors of abandonment, hence the book’s title is “Exit”. But that is not the abandonment of territory, but rather an entry into a new territory. That’s why his photographs are replete with signs, emissions of signals, rail-tracks, roads, steps, streets, entries, fences, as they are all signals intended for seekers. The main objective of these signals is to be aux aguets, to be on the watch, as they require a good eye. Rudić’s camera does not capture in panic, but instead he captures wrinkles of landscapes, lines of rocks, as a revelation of a new spacial syntax. Photographs from “Exit” do not portray the culture, but certain spectral dimension of reality, like Van Gogh’s yellow sky or yellow fields, or like Munch’s hay. This does not mean that Rudić is traipsing into other art form, i.e. painting. He remains in photography, yet is simultaneously out if it with one foot, striding into painting….

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ROCK moments – rock photography exhibition

Rock Moments, rock photography exhibition, tonight 31th March 2018 at 19h, Božidarac 1947

OLYMPUS DIGITAL CAMERA

For eleven years now, Rock Moments has brought you the best photos from current rock concerts in Serbia and the region. After the successful exhibits in 2017, the celebrations of the 10th anniversary of the exhibition in the Art Gallery of Stara Kapetanija in Zemun and the exhibition, which we in cooperation with the O3on project and the Pro3or Gallery realized in December 2017 – “50 Years of Concert Rock Photography in Serbia” ( 100 photographs – 25 authors, from 1966 to 2017) we now have the honor to participate in the festival Belgrade Photo Month in the Bozidarac Gallery.

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ROCK Momenti – izložba koncertnih rok fotografija

Rock Momenti, izložba koncertnih rok fotografija, večeras 31. marta 2018. godine u 19h, u Centru za obrazovanje i kulturu Božidarac 1947

OLYMPUS DIGITAL CAMERA

Vec jedanaest godina Vam Rock Momenti donose najbolje fotografije sa aktuelnih rock koncerata u Srbiji i regionu. Posle uspešnih izložbenih postavki u toku 2017. godine – proslave 10 godina postojanja izložbe u Umetničkoj galeriji Stara Kapetanija u Zemunu i izložbe koju smo u saradnji sa projektom O3on i Galerijom Pro3or realizovali decembra 2017. godine – “50 godina koncertne rock fotografije u Srbiji” (100 fotografija – 25 autora, od 1966. do 2017. godine) sada imamo čast da sa izložbom učestvujemo na značajnoj manifestaciji Belgrade Photo Month u Galeriji Božidarac.

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CLASH, the Images SAID – radionica o foto-knjigama

Danas je prvi dan radionice of foto-knjigama, pod nazivom “CLASH, the Images SAID” workshop on Photobooks, 30. marta 2018. godine u 16h, u EU info centru, Kralja Milana 7

MENTORKA: Valentina Abenavoli

Valentina Abenavoli je italijanska urednica i dizajnerka, koja trenutno živi u Istanbulu. Nakon diplomiranja na studijima fotografije, master studija u književnom izdavaštvu i nekoliko različitih poslova, 2012. godine je zajedno sa Alexom Bocchettom osnovala izdavačku kuću Akina. Ova nezavisna izdavačka kuća sarađuje sa novim i već etabliranim fotografima, u uređivanju i produkciji ograničenih tiraža „izazovnih“ knjiga, koje su često ručno izrađene. Svoju prvu autorsku knjigu pod nazivom „Anestezija“ je objavila 2016. godine, nakon koje je usledila „Žetva“, drugo poglavlje nezavršene trilogije o temama empatije i zla. Učestvovala je u nekoliko grupnih i samostalnih izložbi. Pored toga, radi kao freelance urednica i dizajnerka knjiga.

RADIONICA:

CLASH, THE IMAGES SAID je trodnevna diskusija o vizualnoj priči u foto-knjigama. Praksa čitanja foto-knjiga, koja uglavnom predstavlja intiman i meditativan trenutak, ima drugačiji potencijal kada se dešava unutar grupe ljudi. Tokom ove radionice ćemo analizirati razloge zbog kojih sve više fotografa u današnje vreme sve češće biraju foto-knjige kao medij komunikacije, i otkrićemo nejasnoće i sukobljenosti između nekoliko slika u nizu.

Od večnih klasika do nešto eskperimentalnijih primera, foto-knjige dopuštaju veoma širok prostor za imaginaciju i narativ. Tokom ove radionice ćemo detaljno analizirati nekoliko studija slučaja, kako bismo shvatili strukturu vizualnog dela, a kroz male grupne vežbe, učesnici/-e će dobiti korisne smernice kako da ponovno promisle o sopstvenim projektima u formi knjige.

Prijava obavezna

euinfo.rs • europa.rs
#EuropeForCulture • #EvropaZaKulturu
Događaj finansijski podržavaju Delegacija Evropske unije u Republici Srbiji i EU info centar.

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CLASH, the Images SAID – Workshop on Photobooks

Today is the first day of the “CLASH, the Images SAID” workshop on Photobooks, 30th March 2018 at 16h, in EU info centre, Kralja Milana 7

TUTOR: Valentina Abenavoli

Valentina Abenavoli is an Italian editor and designer, currently based in Istanbul.
After a degree in photography, a master in book publishing and several odd jobs, in 2012 she founded Akina, together with Alex Bocchetto. Their independent publishing house collaborates with emerging and established photographers, editing and producing challenging photobooks in limited editions, often handmade. In 2016 she published her first photobook as author titled “Anaesthesia”, followed by “The Harvest”, the second chapter of an unfinished trilogy around the subjects of empathy and evil. She participated in several group and solo exhibitions. On a side, she works freelance as editor and book designer.

WORKSHOP:

CLASH, THE IMAGES SAID is a 3 days long discussion on visual narrative in photobooks. The practise of reading a photobook, which is usually an intimate and meditative moment, assumes a different perspective, if it happens within a group of people. In this workshop we will analyse all together the reasons why photobooks are chosen as preferred medium by more and more photographers nowadays, as well as we will discover ambiguities and clashes that happen when several images are put in a sequence.

From the everlasting classics to more experimental ones, photobooks have the perk of opening a very wide space for imagination and narrative.
The workshop will dissect some case studies, in order to understand the structure of a visual work. Trials and exercises on editing and sequencing, performed collectively, will be the main focus of the workshop, which will give some inputs for the attendees to re-imagine their own projects in a book form.

Inscription mandatory

euinfo.rs • europa.rs
#EuropeForCulture • #EvropaZaKulturu
Event financially supported by the Delegation of the European Union to the Republic of Serbia and EU info centre.

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