Larger than life – Olga Titova’s photography exhibition

Today, 13th April 2018 at 19h, we are inviting all street photography lovers to Olga Titova’s exhibition “Larger than life”, opening at Zoom Art Cafe, Dobračina 76

“Street photography is a complicated, interesting and unpredictable art. Every time I go out with completely no idea of what surprises the streets had prepared for me I and what am to see today.

Sometimes you can face scenes like from a theater of the absurd and people really amaze me. Or the usual city landscape suddenly turns in a fantastic combination of forms, lights and color.

In a split second the puzzle of circumstances put together, and you are only to press the button, and the next minute it falls apart and never happens again. These photos are imprints of that unique moments, and maybe they seem a little more alive and vivid than real life can be. But it is a point where two realities intersect – a sudden street scene and the inner state of the photographer, and this mix is providing the most amusing and unpredictable result.”

Olga Titova

At the exibition opening Olga will present her new photo book “Pride” – the winner of three latest photobooks’ contests:

– Fuam Dummy Book Awards (Istanbul), 2017
– ViennaPhotoBookAward, 2017
– PhotoBookFest (Moscow), 2017.

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Veće od života – izložba fotografkinje Olge Titove

Danas, 13. aprila 2018. godine u 19h, pozivamo sve ljubitelja street-fotografije u Zoom Art Cafe, Dobračina 76, na otvaranje izložbe ruske fotografkinje Olge Titove “Veće od života”

“Ulična fotografija je složena, interesantna, iznenadna i nepredvidiva. Svaki put idem da fotografišem, apsolutno ne znajući kakvo će iznenađenje mi spremiti “ulica”.

Ponekad oko mene se odvija pravi teatar apsurda, ljudi umeju da zadive i iznenade. Ili obične gradske krivine odjednom zadivljuju neobičnim kombinacijama boja i svetlosti.

U nekom deliću sekunde, okolnosti se iznenada spleću u idealnu slagalicu, tada stižem da pritisnem dugme, a već u sledećem trenutku sve se raspalo i više se nikada neće ponoviti. Ipak ostaje momentalni otisak tog trenutka, i to su – fotografije. Možda će se učiniti da su za trunčicu “življe od života”, jer se u tom trenutku slučajno dodiruju dve apsolutno paralelne realnosti – iznenadna ulična scena i raspoloženje, unutrašnje stanje fotografa. Ovakav “koktel” ponekad daje najnepredvidivije i iznenadne rezultate.”

Olga Titova

Na izložbi takođe biće predstavljena knjiga “Pride”, koja se već našla na finalnim listama svetskih takmičenja:

– Fuam Dummy Book Awards (Istanbul), 2017
– VienaPhotoBookAward, 2017
– PhotoBookFest (Moskva), 2017

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Solo un ricordo – photography exhibition by Matteo Girola

On Friday, 13th April 2018 at 18h, in the presence of the artist and curator of the exhibition, we are inviting you to the opening of the exhibition of photographs “Solo un ricordo” by Matteo Girola, Italian Institute for Culture in Belgrade, Kneza Miloša 56

Matteo Girola explores the mutation of the photo in time with saturated images and shaped social networks. During his first exhibition in Belgrade, the artist invites the audience to travel through time and space, from the creation of photography to its contemporary use, revealing the social and anthropological revolution caused by this medium. With minimalistic interventions and poetic playfulness unique to Girola, the exhibition offers “Solo un ricordo” of the time when the photo was still an unexplored territory and when surrealism did not take over reality.

Curator of the exhibition is Julia Rajačić.

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Samo uspomena – izložba fotografija Matea Đirole

U petak, 13. aprila 2018. godine u 18h, u prisustvu umetnika i kustosa izložbe, pozivamo vas na otvaranje izložbe fotografija “Samo uspomena” Matea Đirola, Italijanski institut za kulturu u Beogradu, Kneza Miloša 56

Mateo Đirola istražuje mutaciju fotografije u vremenu zasićenom slikama i oblikovanom društvenim mrežama. Tokom njegove prve izložbe u Beogradu, umetnik poziva publiku da putuje kroz vreme i prostor, od nastanka fotografije do njene savremene upotrebe, razotkrivajući socijalnu i antropološku revoluciju prouzrokovanu ovim medijumom. Minimalističkim intervencijama i poetičnom razigranošću jedinstvenom za Đirolu, izložba nudi “Samo uspomenu” vremena kada je fotografija još uvek bila neistražena teritorija i kada nadrealnost nije preuzela stvarnost.

Kustos izložbe je Julia Rajačić.

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Ceux du Monde – photography exhibition by Yann Laubscher

From today, 12th april 2018, you can send a request (by email to info@belgradephotomonth.org) to organize a Group Visit to “Ceux du Monde”, photography exhibition by Yann Laubscher, in Swiss Ambassador Residence, Andre Nikolica 30, Senjak, Belgrade

In 2010, the photographer Yann Laubscher goes on his first trip to Siberia in the Republic of Tuva (Russia). He has since then returned to the wilderness of this country each year, in regions such as Siberia, Kamchatka and the Urals. Associating portraits, landscapes and objects, without distinct chronological nor geographical markers, his previous work The Call is an immersion into the footsteps of a rough and precarious life, full of free dignity.

On his journey, he discovered an isolated valley crossed by a river, the Ka-Khem (Little Yenisei River), where approximately 1000 people live out of this world. During eight months each year, the valley is cut off by the snow, the river being frozen over. Six years after this first expedition, the photographer decided to return, this time in the heart of winter, walking 100 kilometers back up the frozen river to the last family living the most upstream, and therefore the most isolated.

After several endless days of walking, fighting cold bites and the pitfalls of the Ka-Khem, the photographer and his interpreter discovered, nestled in the heart of the valley, anchorites living in hermitage in simple shacks. In their daily life, where praying, reading, gardening, caring for livestock, cultivating, hunting and fishing are mingled, a kind of exclusive asceticism is established. Living in hermitage means salvation.

The past of these Orthodox Old Believer families, settled in this valley for over 100 years, is part of a flight linked to a schism of the Church in 1653. Opposing the Tsar, rejecting all powers, and denying government laws, official papers, food and customs of the “century” led them into hiding away in the most inaccessible nooks of the taiga and living in total rupture with the world. By being kept free from the latter – full of temptations, sins and contempt for God – they save their bodies and souls. Their daily practices, their clothing, their food, their habits, their language, their icons, their rites, their old manuscript books and their legends : all is preserved in this valley of past times, thanks to a certain distance and inaccessibility, despite the exchanging with travelers of basic food and petrol against fish and fur.

This face-to-face with nature, both rich and ruthless, is supported by a force of faith, almost frantic, helping them to survive and endure everything fate brings their way. Furthermore, the violent events of the past century reinforce these anchorites in their vision of the sinful world.

Yann Laubscher adopts the role of the involved observer, located both inside and outside of the subject. For him, pointing his lens at them would be an act of betrayal. A temptation to which he did not yield, photography being fundamentally contrary to the spirit of confidentiality of forest hiding. Ka-Khem, taiga, snow, ice and izbas compose the photographs designed to recreate the photographer’s journey through a hostile environment, with a frozen river as a narrative thread.

The photographs seized are suspended in an ambiguity related to the increasing trade with the world. They appear in the same movement present and absent in the world, physically strained by a resistant and almost animal beauty of their way of life, but intrinsically worked by a form of renunciation, abandonment. Without seeking simplification or obeying any logic, the photographer structures a language rather than a style. Wide shot or close-up vision: each of his images is ruled above all by its own point of equilibrium.

With the support of the Embassy of Switzerland in Belgrade

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Ceux du Monde – Yann Laubscher izložba fotografija

Od danas, 12. aprila 2018. godine, možete zakazati grupnu posetu (porukom na info@belgradephotomonth.org) izložbi fotografija “Ceux du Monde” Yann Laubscher-a, u rezidenciji ambasadora Švajcarske, Andre Nikolica 30, Senjak, Beograd

Fotograf Yann Laubscher 2010. godine po prvi put odlazi u Sibir u Republici Tuva (Rusija). Od tada se svake godine vraća divljini ove zemlje; odnosno, u regije Sibir, Kamčatku i Ural. Povezujući portrete, krajolike i objekte bez jasnih hronoloških ili geografskih oznaka, njegovo prethodno delo Poziv predstavlja uranjanje u korake grubog i neizvesnog života, koji je ispunjen slobodnim dostojanstvom.

Na svom putovanju je otkrio izolovanu dolinu do koje se dolazi prelaskom preko reke Ka-Khem (Mala Yenisei reka), gde nekih 1000 ljudi žive potpuno izolovani iz ovog sveta. Svake godine, celih osam meseci, ova dolina je odsečena snegom i zaleđenom rekom. Šest godina nakon svoje prve ekspedicije, fotograf odlučuje da se vrati, ovog puta u sred zime, i da prepešači 100 kilometara duž zaleđene reke, sve do poslednje porodice koja živi najuzvodnije, i koja je, samim time, i najizolovanija.

Nakon nekoliko beskrajno dugih dana hodanja, borbe sa promrzlinama i sa zamkama reke Ka-Khem, fotograf i njegov prevodilac su otkrili, ušuškane u samom srcu doline, isposnike koji žive u osami u jednostavnim kolibama. U svom svakodnevnom životu, u kojem se mešaju vreme za molitvu, čitanje, rad u bašti, brigu za stoku, uzgajanje, lov i pecanje, uspostavljen je određeni vid krajnjeg asketizma. Život u isposništvu znači spas.

Prošlost ovih pravoslavnih starozavetnih porodica koje su se pre više od 100 godina naselile u ovoj dolini, deo je bega koji je vezan za veliki crkveni raskol iz 1653. godine. Suprostavljajući se caru, odbijajući svaku silu i negirajući vladajuće zakone, zvanične dokumente i običaje tog “veka”, bili su primorani da se sakriju u najnepristupačnijim uglovima tajge i da žive u potpunoj izolaciji od sveta. Oslobođeni života u svetu prepunom izazova, grehova i prezira prema Bogu, spašavaju svoja tela i duše. Njihove svakodnevne aktivnosti, odeća, hrana, navike, njihov jezik, ikone, običaji, stare rukopisne knjige i legende: sve je sačuvano u ovoj dolini prošlosti, zahvaljujući velikoj udaljenosti i nepristupačnosti, uprkos tome što sa strancima razmenjuju osnovne namirnice i benzin za ribu i krzno.

Ovakvu bliskost sa prirodom, koja je istovremeno i bogata i okrutna, podržava njihova – gotovo mahnita – vera, koja im pomaže da prežive i istraju u svemu što im sudbina stavi na put. Štaviše, nasilni događaji iz prošlog veka samo jačaju ove pustinjake u njihovom viđenju grešnoga sveta.

Yann Laubscher uzima ulogu uključenog posmatrača, koji je smešten unutar, kao i izvan subjekta. Za njega bi upiranje objektiva foto-aparata na njih bio čin izdaje. Iskušenje pred kojim nije poklekao, onoj fotografiji koja je suštinski suprotna duhu poverljivosti koje skrivanje u šumi podrazumeva. Ka-Khem, tajga, sneg, led i izbe čine fotografija koje su stvorene da rekreiraju fotografovo putovanje kroz neprijateljsko okruženje, sa zaleđenom rekom kao niti koja vodi pripovedanje.

Fotografije koje je zabeležio lebde u ambivalentnosti koja je povezana sa sve većim trgovanjem sa svetom. U istom pokretu, one su podjednako prisutne i odsutne u svetu, fizički su zaustavljene otpornom i gotovo animalnom lepotom svog načina života, ali u kom intrinzički deluje neki vid odricanja, napuštanja. Ne tražeći pojednostavljenje niti se povinujući logici, fotograf strukturiše jezik, a ne stil. Vizija slike snimljena izdaleka ili izbliza: svakom od njegovih slika prvenstveno upravlja njena vlastita tačka ravnoteže.

Uz podršku ambasade Švajcarske u Beogradu

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Izložba studenata Akademije umetnosti u Beogradu u Dorćol Platzu

Danas, 12. aprila 2018. godine u 20h, otvaranje izložbe studenata Akademije umetnosti u Beogradu, u Dorćol Platzu, Dobračina 59b

Studenti katedre Fotografija i kamera Akademije umetnosti u Beogradu, od prve do četvrte godine studija, predstavljaju svoje izložbene kolekcije, umetničke projekte, kao i ispitne zadatke, u periodu od 12. do 26. aprila 2018. godine.

Izložbu otvaraju studenti, autori izloženih radova.

Postavka obuhvata fotografske i video radove iz domena dokumentarne, reklamne, igrane i umetničke forme. Mladi fotografi prezentuju su širok dijapazon svojih umetničkih interesovanja: od analogno snimljenih dokumentarnih fotografija, studijskih vežbi, kolaža, instalacija, videa i konceptualne umetnosti, modne i reklamne fotografije, pa sve do istraživanja intimno ličnih tema, društvenog okruženja, kao i interesovanja za savremene tendencije u fotografskom mediju i video umetnosti.

Za muziku će biti zadužen Mafrose.

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An exhibition of students of the Academy of Arts in Belgrade in Dorcol Platz

Today, 12th april 2018 at 20h, students’ exhibition opening, from the Academy of Arts in Belgrade, in Dorćol Platz, Dobračina 59b

Students of the Department of Photography and Camera of the Academy of Arts in Belgrade, from the first to the fourth year of studies, present their collections, art projects, as well as examinations, from 12th to 26th April 2018.

The exhibition is opened by students, authors of exhibited works.

The exhibition includes photographic and video works from the domain of documentary, advertising, feature and artistic forms. Young photographers present a wide range of their artistic interests: from analogue documentary photography, studio exercises, collage, installations, video and conceptual arts, fashion and promotional photography to the exploration of intimate personal themes, social environment, as well as interest in contemporary trends in photographic media and video art.

For music, Mafrose will be in charge.

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Vedute mundi – HEGschove panorame sveta

Večeras, 12. aprila 2018. godine u 20h, otvaranje izložbe “Vedute mundi” nemačkog fotografa Hans Georg Eša, Atelje blanc / blank, Dunavska 86, II ulaz, IV sprat

Naslov izložbe inspirisala je serija slika vedute di Roma (rimske vedute) Đovanija Batiste Piranezija. Savremeni nemački fotograf Hans Georg Eš (Hans Georg Esch – HEGsch) već godinama se bavi panoramama. Fotografije na ovoj izložbi objedinjuju panoramu i vedutu, odražavajući tako karakter grada. Slike iz ciklusa „Cityscape” (panorama grada) imaju preko četiri metra, a od posmatrača zahtevaju da se udalji od dela, u doslovnom smislu te reči. Da bi sagledali fotografije u celini, posmatrači se moraju udaljiti od njih bar nekoliko metra, ali kada žele dobro da razaznaju detalje, oni im se moraju približiti, i to toliko da više ne raspoznaju levu i desnu ivicu dela koje posmatraju. Ešove fotografije odlikuje brižljiva i celovita kompozicija, tj. izuzetna sprega između širokog plana i središnje perspektive. To ih čini vedutama, koje su svojevremeno imale istu funkciju kao danas Instagram i druge društvene mreže s težištem na fotografijama; one nam pokazuju mesta koja još nismo posetili ili koja nismo upoznali iz iste perspektive kao autor. Eš nam, dakle, pokazuje slike sveta – odatle i naslov Vedute mundi. On pritom suvereno koristi sve što je o slikama naučio kao fotograf arhitekture, stavljajući svoje umeće u službu naše spoznaje sveta.

Rolf Zakse

Goethe-Institut Belgrad uz podršku ingenhoven arhitekata, Leica Camera & Carpet Concept

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Vedute mundi – HEGsch’s landscapes of the world

Tonight, 12th april 2018 at 20h, opening of exhibition “Vedute mundi” from German photographer Hans Georg Esch, Atelje blanc / blank, Dunavska 86, II ulaz, IV sprat

The title of the exhibition was inspired by a series of etchings vedute di Roma (views of Rome) by Giovanni Battista Piranzeni. Contemporary German photographer Hans Georg Esch – HEGsch has been fascinated by landscapes for years. Photographs included in this exhibition combine the landscape and veduta, thus reflecting the character of the city. The photographs from „Cityscape” (city landscape) series are more than 4 metres in size, demanding from their viewers to distance themselves for at least few metres, literally speaking. Yet, if they want to discern all details, they need to get much closer, so close that they are no longer able to distinguish between left and right side of a viewed piece. Esch’s photographs are characterised by careful and wholesome composition, i.e. extraordinary combination of wide-angle and central perspective. That is exactly what makes them vedute (views), the function of which at the time was identical to the function of Instagram and other social networks that are primarily based on photography; they show us the places we have not visited or have not as yet encountered from the same perspective as the author. Esch is, therefore, showing us the images of the world – hence the title Vedute mundi. He confidently uses everything he has learned as an architectural photographer, putting his skills into the service of our knowledge of the world.

Rolf Sachsse

By Goethe-Institut Belgrad with the support of ingenhoven architects , Leica Camera & Carpet Concept

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