Keeping you up to date
During Belgrade Photo Month ZAVOD is proud to present April Cinema Program, every Wednesday from 06.04 to 27.04. 2016.god.
Wednesday 6.4.
“Blowup” – Michelangelo Antonioni, 1966, USA 1h51min
Wednesday 13.4.
“Čovek sa Četiri Noge” – Radivoje ‘Lola’ Đukic, 1983, Jugoslavija, 96 min
Wednesday 20.4.
“City of God” – Fernando Meirelles, Kátia Lund, 2002, USA, 2h10min
Wednesday 27.4.
“Fur: An Imaginary Portrait of Diane Arbus” – Steven Shainberg, 2006, 122min
ZAVOD u toku Belgrade Photo Month (Beogradskog Meseca Fotografije) s ponosom predstavlja ZAVOD-a Cinema April Program, svake Srede od 06.04 do 27.04. 2016.god.
Sreda 6.4.
“Blowup” – Michelangelo Antonioni, 1966, USA 1h51min
Sreda 13.4.
“Čovek sa Četiri Noge” – Radivoje ‘Lola’ Đukic, 1983, Jugoslavija, 96 min
Sreda 20.4.
“City of God” – Fernando Meirelles, Kátia Lund, 2002, USA, 2h10min
Sreda 27.4.
“Fur: An Imaginary Portrait of Diane Arbus” – Steven Shainberg, 2006, 122min
Otvaranje: Četvrtak, 7. April, 19:15
O3ONE Art Space, Uzun Mirkova 10
Od 7. do 20. Aprila
O3one i Belgrade Photo Month vas pozivaju na otvaranje izložbe “Stereo ljudi” Aleksandra Ilića u četvrtak 7. aprila u 19:15. U ovoj postavci će se naći fotografije kultnih domaćih rok bendova rađene posebnom tehnikom tako da posmatrane kroz cijan-crvene naočare daju stereo efekat.
Više informacija na: http://bit.ly/stereo_ljudi
Preuzmite besplatno digitalno izdanje knjige “Istorija srpske fotografije 1839-1940”, autorke Milanke Todić
Otvaranje: Utorak, 5. April 2016 18:00
Dom omladine Beograda
Od 5. do 18. Aprila
Dom omladine Beograda ima zadovoljstvo da, u okviru manifestacije Belgrade Photo Month, predstavi stvaralaštvo dvojice slovenačkih fotografa mlađe generacije: Matjaža Rušta i Roberta Marina, i njihov projekat “The Most Beautiful City in the World” / “Najlepše mesto na svetu”, kroz izložbu u holu ispred Velike sale Doma omladine Beograda.
U okviru trenutnog projekta, nazvanog “The Most Beautiful City in the World” (2014-2016), Matjaž Rušt i Robert Marin dosledno kreiraju vizuelni dnevnik Ljubljane. Autori nisu toliko usredsređeni na reprezentativnu sliku grada koliko na skrivene prostore svakodnevnice. Manirom dokumentarne ulične fotografije oni beleže stvarne događaje i mesta koje gradu daju neizbrisiv karakter. Pored sveprisutnog humora, rad nije obojen ciničnim ili sarkastičnim tonom usmerenom ka portretisanima i samom gradu, već se rad bavi samim stanjem stvari.
najlepsemestonasvetu.tumblr.com
Sunday April 3rd, 19:00 PM
Process Gallery, Kralja Petra 71
Sharpshooters & Бартcелона gallery present Sylvain Granjon work
www.sylvaingranjon.com
Nedelja 3. April, 19:00
Galerija Process, Kralja Petra 71
Sharpshooters & Galerija Бартcелона predstavljaju radove Sylvain Granjon-a
www.sylvaingranjon.com
Opening: Monday, April 4th 2016 19:00PM
Бартcелона koncept, Chumich Design District
From April 4th till 16th
Mr. Zuper is a “Frenchie” superhero, strong, handsome and intelligent—at least, he thinks so! But in his daily life he faces some serious existential questions: he’s only 4 inches tall and he doesn’t have any superpowers, or friends! To overcome his dull existence, Mr. Zuper embraces creativity to lead a life filled with extraordinary adventures.
Through Mr. Zuper, Sylvain Granjon evokes our common desire to become someone else, to leave behind the beaten path for a better life
1000 pieds sous terre:
« Real life is under the ground”
48 people take the Subway every second in Paris. In other words 4,1 million passengers pass in transit in the Parisian subway every day.
This exhibition will be part of Belgrade Photo Month
Sponsored by
Cervesa Espiga
Institut français de Serbie
Otvaranje: Ponedeljak, 4. April 2016 19:00
Бартcелона koncept, Chumich Design District
Od 4. do 16. Aprila
Mr. Zuper je francuski superheroj koji je jak, zgodan i pametan — ili bar on misli da je tako! Međutim, on se u svom svakodnevnom životu suočava sa nekim ozbiljnim egzistencijalnim pitanjima: visok je samo 4 inča i nema nikakve natprirodne moći, niti prijatelje! Da bi se izborio sa svojim dosadnim životom, Mr. Zuper se prepušta kreativnosti kako bi vodio život ispunjen neobičnim avanturama.
Kroz Mr. Zupera Silvan Granžon (Sylvain Granjon) evocira našu zajedničku želju da budemo nekog drugi, da za sobom ostavimo već utabane staze i krenemo putem boljeg života.
1000 stopa pod zemljom:
„Stvari život se odvija ispod zemlje“
U svakoj sekundi 48 ljudi putuje metroom u Parizu. Drugim rečima, 4,1 milion ljudi prođe pariskim metroom svakog dana.
Translation by Ana Stijelja
Sponzori
Cervesa Espiga
Francuski institut u Srbiji
Opening: Thursday, March 31st, 7:15 PM
O3ONE Art Space, Uzun Mirkova 10
From March 31st till April 6th
In ritual organization of Serbia’s public life presidential and parliamentary elections hold a very important position. Before they are supposed to be held the whole country stops. Only thing that remains active is the marketing machinery which tries to affect the voters with flashy images and seducing slogans.
Elections in Serbia come down to precisely recording the current trends of voter’s vassalage, and who of the available lords will they decide to adhere to. Cult of personality and patrimonialism are constants of Serbia’s political life and were not in any way endangered by the transition from a single-party to a multi-party system. The only thing that has changed is the number of those who appoint themselves as leaders and pose for political posters and billboards. Branimir Karanovic has been following the multiplication and spreading of their portraits across the public space from the very beginning of parliamentarism in Serbia one election at a time. In his photographs he is at the same time portraying them as something that is polluting the environment and as an object of permanent display of civil disobedience.
Citizens are always provoked to intervene on those portraits in some way, and their interventions often border culture jamming as an art form that is worth recording. Results of those interventions are simultaneously representing an index of direct communication between citizens and politicians, iconic display of the way that the face of a political leader is treated in the imagination of Serbia’s citizens, and the symbol of a fight against the fact that democracy has come down to ads, posters and billboards. Karanovic and the Kamerades collective have independently recorded these interventions and are bringing them together for the first time in this exhibition, by doing so they have stood by all those who were not eaten by viruses of servitude and auto-censorship.
